Best Photographs of 2021

Khalid Mohamed, inspired by a selection of the award-winning photos from National Sony World Photography 2021 competition, wri...

Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

Curtain calls, encores to Doctor Brijeshwar Singh!

Here, in this piece, Aparajita Krishna talks to Dr. Brijeshwar Singh, a renowned orthopedic surgeon who is leading the way for...

And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

My city, my friend

Khalid Mohamed in a chat fest with Harshad Rajadhyaksha, Chief Creative Officer at the Ogilvy ad agency, on his passion for st...

An Unwatchable Boy

Khalid Mohamed reviews the web series A Suitable Boy and Mirzapur 2, streaming on Netflix and Prime Amazon Video respectively....

Tarkovsky’s Brilliant Images, Revisited

Khalid Mohamed finds solace in the book Instant Light: Tarkovsky’s Polaroids, comprising 60 images to live for.

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